https://doi.org/10.5281/zenodo.15619056
Shota Rustaveli State University, Georgia
[ketevan.svanidze@bsu.edu.ge]
Shota Rustaveli State University, Georgia
[shorena.bolkvadze@gmail.com]
Woman and Postcolonial Trauma
Abstract: This article explores contemporary Georgian memoir literature as a powerful medium for representing postcolonial trauma through women’s perspectives. Focusing on works from the late 20th and early 21st centuries, it examines how personal and collective memory intertwine to narrate the legacy of Soviet rule and the challenges of navigating post-imperial transitions. Women’s memoirs document experiences of marginalization, violence, loss, and survival, while simultaneously constructing spaces for agency, reflection, and cultural resistance.
The analysis highlights how female authors position themselves as both witnesses and participants in historical transformation, often reclaiming silenced or distorted narratives. These memoirs shed light on the shifting policies of the Soviet regime toward women, including state control over reproduction and sexuality, and the ideological instrumentalization of the female body. They also reflect on the gendered aspects of national memory and identity in post-Soviet Georgia, where the return to tradition frequently intertwines with efforts to redefine womanhood.
Drawing on postcolonial theory, trauma studies, and gender criticism, the article emphasizes the hybrid nature of Georgian memoir writing, which blends documentary realism with subjective introspection. Through close readings of selected texts, including works by Gogi Gvakharia, Lana Gogoberidze, and Ketevan Javakhishvili, the study reveals how women’s voices in memoir literature contribute to broader cultural processes of mourning, resistance, and redefinition. Ultimately, these narratives serve as crucial testimonies of historical rupture and continuity, positioning women not only as bearers of trauma but as active agents in the reshaping of memory and identity.
Keywords: politics of memory; postcolonial trauma; gender and tradition; Soviet ideology; hybrid genres; Georgian women’s memoir.
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